In his series, “The Unwanted,” Joe Sacco illustrates the
social role that Maltese immigrants played in the globalization process as being
a strong parallel to the inequality African-Americans experience on a
day-to-day basis in the United States. As if to reveal the typically veiled dichotomous
power dynamic between members of the white male hegemony and African-American
men in the most obvious way possible, Sacco’s depictions of racist and derogatory
one-way interactions are so appalling that it is nearly impossible to turn a
blind eye. For example, the illustrations are clearly drawn from the hegemonic
perspective (although Sacco is Maltese), which depicts the Europeans as primarily
sophisticated, clean and hard-working, while the Maltese are drawn as deviant, animalistic
outsiders covered with the hoods of their sweatshirts as though they are worthless
and up to no good. This difference in illustration alone brings to light the
stereotypes African-Americans endure as a regular part of life in the U.S. when
applying for jobs or even merely wearing a hood in public.
In addition to the outwardly
racist depictions of the Maltese through the hegemonic eye, Sacco incorporates
stark and highly stigmatic language in order to reveal much of the unspoken
racist thoughts that give way to the systematic racism that African-Americans face
in their everyday lives as a consequence. In a particularly disturbing
commentary, Sacco portrays a white man, “The Visionary,” before a pit of
Maltese immigrants saying, “We just dump them into quarries [under] the
blistering sun there, the pelting rain, and just drop bread and water to them .
. . Within six weeks they’ll be crying to be sent back.” While this
illustration and the accompanying language is highly unsettling to any audience
of his work, Sacco’s message could not have been more clear and
attention-grabbing to those in denial. What stems from slavery, or the quarry in
this case, is a continuous deeply-rooted ideological problem that continues to
divide the white male hegemony from his African-American counterparts to this
day.
Although slavery, the Holocaust, and other historic crimes against
humanity are now little more than textbook material to the average American,
ideological differences regarding who defines what is “normal” and what is “deviant”
continue to permeate the very structures that guide our inter-racial
interactions in present-day America. Although a majority of these unequal power
dynamics are silent and therefore unquestioned, Sacco and many others will continue
to use their talents in order to make sure the African-American narrative is no
longer silenced. Only then can the dichotomy begin to loosen.
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