In his series, “The Unwanted,” Joe Sacco illustrates the
social role that Maltese immigrants played in the globalization process as being
a strong parallel to the inequality African-Americans experience on a
day-to-day basis in the United States. As if to reveal the typically veiled dichotomous
power dynamic between members of the white male hegemony and African-American
men in the most obvious way possible, Sacco’s depictions of racist and derogatory
one-way interactions are so appalling that it is nearly impossible to turn a
blind eye. For example, the illustrations are clearly drawn from the hegemonic
perspective (although Sacco is Maltese), which depicts the Europeans as primarily
sophisticated, clean and hard-working, while the Maltese are drawn as deviant, animalistic
outsiders covered with the hoods of their sweatshirts as though they are worthless
and up to no good. This difference in illustration alone brings to light the
stereotypes African-Americans endure as a regular part of life in the U.S. when
applying for jobs or even merely wearing a hood in public.

Although slavery, the Holocaust, and other historic crimes against
humanity are now little more than textbook material to the average American,
ideological differences regarding who defines what is “normal” and what is “deviant”
continue to permeate the very structures that guide our inter-racial
interactions in present-day America. Although a majority of these unequal power
dynamics are silent and therefore unquestioned, Sacco and many others will continue
to use their talents in order to make sure the African-American narrative is no
longer silenced. Only then can the dichotomy begin to loosen.
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