Monday, April 3, 2017

Steven Universe: Traditional Relationships Contested

The episode, "The Answer" of Steven Universe is the epitome of contested identities appearing in today's kids' shows, as it deals with traditionally foreign concepts to children like sex, gender as it exists beyond the binaries, and differential treatment of marginalized groups. To do this, the creators developed complex metaphors and subliminal messages as a way of exposing children to such taboo concepts without encroaching on any boundaries that would result in the show being censored. Take the concept of "fusing," for example. When the characters (or gems) wish to become one with the purpose of gaining the benefits of both gems in one single form, they physically "fuse" together through a pleasurable dance. Both the imagery and the way the characters talk about "fusing" have sexual connotations, but to kids, only the concept of becoming one for a pragmatic and pleasurable purpose resonates. So why is this important? "Fusing" can occur between gems indiscriminate of their different types, social classes, races, or genders. 

Image result for the answer steven universePerhaps the most intriguing instance of "fusing" occurs in "The Answer" between characters Ruby and Sapphire, who clearly represent different social classes and perhaps different races as well. Sapphire, who is portrayed as feminine in appearance but somewhat masculine in her actions, is treated like royalty by the other gems and even has her own personal body guards: three rubies. In a non-traditional "fuse," Sapphire and Ruby physically join when Ruby attempts to save her from the "rebels," and is profusely apologetic when his heroic act results in their fusion. Ruby's embarrassment and guilt, in this case, is metaphorically representative of the feelings one might experience in a non-traditional relationship that is criticized by outsiders or is frowned upon by society on a greater scaleas is the case with many interracial relationships, homosexual partnerships, or relationships that transcend the boundaries of social class. 

Yet rather than evoking a sense of discomfort or guilt among its viewers, "The Answer" provides a unique perspective on non-traditional relationships, especially when it comes to breaking the boundaries of race. In response to Ruby's overwhelming apologies (which can be discerned as representative of the guilt associated with breaking social norms), Sapphire reassures him that nothing about the situation was inherently wrong, and they ultimately form a bond that is somewhat romantic in nature but remains open to interpretation. This kind of food for thought is invaluable to child consumers of the media in contemporary American society and ultimately softens the blow of formal conversations down the road. In the words of Herbert Marcuse, author of One-Dimensional Man, "The redefinition of thought which helps to coordinate mental operations with those in the social reality aims at a therapy" (pg. 170).